Then, as the film switches back into sci-fi, it refocuses on the love story, which seems ill fated since Nisha is mentally ''normal.'' And it presents the possibility that a little blue alien could do something about Rohit's I.Q. Rohit and Nisha (Preity Zinta), the beautiful young woman he worships, even have a ''Singin' in the Rain'' number, which involves endless dancing in the streets while drenched.īriefly it's a biker movie, then an action movie. They romp in jigsaw-puzzle-perfect scenery, performing musical numbers with all the aplomb of a ''Brady Bunch'' parody.įor a while the film resembles an American romantic musical-comedy. Then the film turns into ''The Sound of Music,'' as that child, Rohit, tall like the grown-up he is, frolics with half a dozen much younger classmates. The accident kills him and does brain damage to the baby his wife (Rekha) is expecting. Roshan, the director and the star's real father) crashes his car upon seeing a U.F.O. It begins as sci-fi when Rohit's scientist father (Mr. Mil Gaya'' isn't a blend of genres it is one piled upon another. Rakesh Roshan's predictably broad, sentimental ''Koi. T.'' and a story line that echoes ''Charly,'' the 1968 film about an experiment on a man with limited learning abilities. It echoes the opening credits of ''Star Wars,'' the mother ship and musical-tone communication of ''Close Encounters of the Third Kind,'' the abandoned babylike alien of ''E. Mil Gaya'' (''I've Found Someone''), an almost three-hour-long science-fiction musical from India with the usual Bollywood excess. Rohit (Hrithik Roshan) is the warmhearted, childlike, mentally retarded hero of ''Koi.
A spaceship made Rohit Mehra what he is today.
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